![]() Not the actual shooting, which I actually have a few problems with. This is the heart of Wolfenstein, for me: The story. ![]() Another crucial one, for me, involves a black woman casually breastfeeding her child while talking about the fragility of testicles - it's a refreshing, diverse and audacious scene unlike any I've encountered in an AAA video game. There are a few moments like this that stand out in my mind. It's a refreshing, diverse and audacious scene unlike any I've encountered in a AAA video game. ![]() It drew me into Wolfenstein's world and immediately endeared me to this broken, ragtag group of revolutionaries attempting to dismantle the Third Reich's reign. It could have been cheesy, attempting to shoehorn emotion into a traditional, gritty first-person shooter - but, instead, it was powerful. Music swells as he carries the body, in slow motion, across the bridge. Blazkowicz, the game's hero, emerges from a pod holding the headless corpse of one of his friends. It's not far into the game - it's a dramatic, cinematic scene right after a hectic round of running down spaceship corridors, shooting Nazis and trying desperately not to die. I know the moment Wolfenstein II had its hooks in me.
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